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The 66th Annual Cannes Film Festival is quickly coming to a close In fact, the Un Certain Regard winners were just announced now (you can see them all right here). But this year’s line-up, unlike year’s past put a lot of heavy weights near the end of the festival like Roman Polanski’s “Venus In Fur,” and Jim Jarmusch’s deadpanned, odd and deeply enjoyable vampire movie, “Only Lovers Left Alive” which screened last night (you can read our review right here). The film centers on a deeply depressed underground musician (Tom Hiddleston) whose romantic solitude in Detroit and Tangiers who restored when he is reunited with his strong and enigmatic lover (Tilda Swinton). Their love has endured several centuries, but their debauched existence is soon disrupted by the arrival of the her younger sister (Mia Wasikowska) and her boyfriend (Anton Yelchin). Disenfranchised by the way humanity has evolved can these strangers on the fringes continue to survive in the modern world is collapsing...

Even though the series finale of Smash airs Sunday, Megan Hilty will never forget the star-making experience. “The show has changed my life in a million ways,” she tells me during Dr. Scholl’s Active Series Countdown To Summer Fitness event held at The Sports Center in Chelsea Piers in NY. “Getting to work with the people I’ve gotten to work with through the show, I’m so grateful. Folks on the creative team, the cast and the crew. I’ve made lifelong friends, like Katharine McPhee. “ OK! GALLERY: KATHARINE MCPHEE, MEGAN HILTY AND JENNIFER HUDSON FILM SCENES FOR SMASH IN NYC  She continues, “I got to do things artistically that I’ve never done before. I’ve never played a real mean girl like this [laughs]. I behaved badly, and I got to sing, dance, put on amazing costumes and work with incredible people. It really has changed my life.” The Broadway veteran, 32, who has starred in Wicked and 9 To 5: The Musical, compares and contrasts Smash to the actual theater world. OK! GALLERY: KATHARINE MCPHEE AND MEGAN HILTY CELEBRATE AT THE PREMIERE OF SMASH “It’s similar in some ways, but of course, we have to embellish a lot to make it a TV show,” she says. “There is very stiff competition, and very big personalities. What you didn’t quite see on Smash is there’s an awesome community in the Broadway world, too. You do these shows and you become a family, which, I would assume that if we’d gotten another season, they would’ve explored that.” The Washington native finds that performing together—whether on Smash, on Broadway, after school or even at summer camp—helps form deep connections. “There’s a level of intimacy that you develop with the people you perform with because you’re so vulnerable onstage,” she says. “You’re giving a piece of yourself when you’re out there, so inevitably you’re going to build incredible bonds with the people you’re doing it alongside.”  OK! GALLERY: SEE PHOTOS OF KATHARINE MCPHEE, KELLIE PICKLER, CARRIE UNDERWOOD, TAYLOR SWIFT, MIRANDA LAMBERT AND MORE IN THE VALERIE GALLERY What’s next? “I’m not quite sure,” she says. “I just got released from my contract [laughs], and I’m trying to figure it out. I released an album, It Happens All The Time, so I’ll be promoting that, and I’m doing a workshop of a musical this summer. Who knows after that. I’m excited to find out myself.” Catch the series finale of Smash, which airs Sunday at 9 p.m. ET on NBC. What will you miss most about Smash? Tweet us @okmagazine. Photo credit:  Getty Images

Whichever way the mistral wind blows on Sunday when Steven Spielberg’s jury hands out its awards, it’s fair to say that for critics, the Competition has been divisive. While a number of films received huzzahs in the Palais, several were met with mixed reactions. Among the best received were the Coen brothers’ Inside Llewyn Davis, Steven Soderbergh’s Behind The Candelabra, Paolo Sorrentino’s The Great Beauty, Hirokazu Kore-Eda’s Like Father Like Son, and Abdellatif Kechiche’s Blue Is The Warmest Color. Among the not so hot were Nicolas Winding Refn’s Only God Forgives and Takashi Miike’s Shield Of Straw, both of which were subject to boos during press screenings. And, yet, each has its supporters. Only God Forgives had something to live up to. Winding Refn and star Ryan Gosling were the darlings of Cannes two years ago when the former won the directing prize for Drive. But God Forgives‘ violence and extreme exercise in style were a turn-off for many. Still, The Guardian gave it five stars. One veteran critic adds that supporters also “tend to be French and genre specialists.” Libération calls Gosling, “The greatest actor of all time in the galaxy of the world.” Shield Of ... Read More »

JAKARTA (Reuters) - Between 35 and 40 percent of workers at Freeport McMoRan Copper & Gold Inc's Indonesian unit returned to work on Saturday to carry out maintenance work after a training tunnel collapse that killed 28 people, a union official said. The resumption of work was a possible sign that the firm was gearing up towards restarting operations at the world's No. 2 copper mine. ...