A rather odd thing has just just occurred in the life of nerdy high school student Peter Parker; after being bitten by a radioactive spider, his body chemistry is mutagenically altered in that he can scale walls and ceilings, and he develops a "spider-sense" that warns him of approaching danger. Adopting the name "Spider-Man", Peter first uses his newfound powers to make money, but after his uncle is murdered at the hands of a criminal Peter failed to stop, he swears to use his powers to fight the evil that killed his uncle. At the same time, scientist and businessman Norman Osborn, after exposure to an experimental nerve gas, develops an alternate personality himself; the super-strong, psychotic Green Goblin! Peter Parker must now juggle three things in his life; his new job at the local newspaper under a perpetually on-edge employer, his battle against the evil Green Goblin, and his fight to win the affections of beautiful classmate Mary Jane Watson, against none other than his best friend Harry Osborn, son of Norman Osborn! Is this challenge too much for even the amazing Spider-Man to handle? (IMDB - www.imdb.com)

The case of Jessabelle has grown by two – Ana de la Reguera and Amber Smith have joined the Lionsgate horror movie. Recently also cast in

The Broadway revival of Arthur Miller’s Death Of A Salesman came out of the gate and broke the house record for the Ethel Barrymore Theatre. It needed only seven performances in that first week to post a $780,000 gross (most shows get eight plays per week, but here it’s too much to ask the cast to perform this intense production twice in one day). The star cast certainly helps–Mike Nichols directing Philip Seymour Hoffman, Amazing-Spiderman star Andrew Garfield and Linda Emond–but it’s a becoming a word of mouth hit and is a hot ticket until its limited run ends June 2, that will most certainly sell out long before that. It shows what can happen when storied subject matter is handled skilfully with experienced directors and strong producers, which to me is the neat thing about the staggering weekend gross of The Hunger Games. Having read that book while Deadline was revealing the construction of that movie from the hiring of Gary Ross as director to the film’s casting, I was intrigued by the ways that director Gary Ross bobbed and weaved around gruesome plot points of that book, softening them to make the film palatable for younger audiences, while still maintaining the edge, the menace of an oppressive totalitarian regime, and the terror ... Read More »

Jordan Zakarin The comics legend will make his first controllable debut in publisher Activision's movie tie-in.read more

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