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A half-blind ex-prizefighter (Maguire) and mustang breaker (Cooper) team up with a millionaire (Bridges) and his rough-hewn, undersized horse, Seabiscuit. The men bring Seabiscuit incredible heights, helping him earn Horse of the Year honors in 1938. Based on a true story. (www.imdb.com)


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‘Hunger Games’ Director Gary Ross Advises Showbiz Grads

Gary Ross, director of the international blockbuster The Hunger Games delivered the commencement address today to graduates of USC

'Hunger Games' Director Gary Ross Circles 'Houdini'

After turning down 'Games' sequel 'Catching Fire,' 'The Secret Life of Houdini' may be next on Ross' plate.By Fallon Prinzivalli Gary Ross Photo: Dimitrios Kambouris/ Getty Images "Hunger Games" fans were dismayed when director Gary Ross released a statement saying he wasn't going to helm the film's sequel, "Catching Fire." His previous works have been few and far between. Before adapting the dystopian novel, Ross directed "Pleasantville" in 1998 and "Seabiscuit" in 2003, and fans wondered if he would disappear off Hollywood's radar for a while. But Ross' next project might happen sooner rather than later. According to The Hollywood Reporter, Ross is in talks with Summit to direct "Houdini," an adaptation of the book "The Secret Life of Houdini: The Making of America's First Superhero" by William Kalush and Larry Sloman. While recounting the master escape artist's life from poverty to fame, the biography suggests that the magician who commanded the attention of countless audiences worked as a spy for Britain and the Secret Service. In Lionsgate's own statement on Gary Ross' departure from "The Hunger Games" franchise, they wrote, "[Gary Ross] did an incredible job on the first film and we are grateful for his work. This will not be the end of our relationship, as we consider Ross to be part of the Lionsgate family and look forward to working with him in the future." Since Lionsgate bought Summit earlier this year, it's quite possible this is the other project they had in mind for the director. THR also reports that Summit optioned the rights to the book back in March of 2009 and their goal is to turn it into an action franchise in the same vein as "Indiana Jones" and "Sherlock Holmes." Noah Oppenheim already wrote the script, but having penned every screenplay he's directed, it's possible Ross may want to edit or re-write it if he signs on for the project. Coincidentally, THR notes that Francis Lawrence, the director who signed on for "Catching Fire," is attached to his own Houdini venture for Columbia Pictures. For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com. Related Videos MTV Rough Cut: Gary Ross

Moby Signs On To Score ‘The Necessary Death Of Charlie Countryman’

EXCLUSIVE: Volgate Productions and Bona Fide Productions have set Moby to compose the music for The Necessary Death of Charlie Countryman. The film stars Shia LaBeouf, Evan Rachel Wood, Mads Mikkelsen, Melissa Leo and Til Schweiger, and is described as a gritty pulp romance. The gig is Moby’s first venture into movie scoring, though his music has been featured in films from the Bourne Trilogy, Heat and Seabiscuit. Albert Berger, Ron Yerxa, Craig J. Flores, and William Horberg are producing, with Nicolas Chartier exec producer along with Patrick Newall. Fredrik Bond is directing a script by Matt Drake, who is coming off Project X at Warner Bros. The film shoots in May in Romania, and Voltage will sell foreign territories in Cannes.

Sources: Gary Ross Has Not Withdrawn From ‘Hunger Games 2′

Despite reports that have spread like wildfire on showbiz websites, we hear from multiple sources close to Catching Fire that director Gary Ross has not formally withdrawn from The Hunger Games sequel. Ross is off on a family vacation and couldn’t be reached, but these internet reports that described his withdrawal as definitive are simply not accurate. There have also been reports about a tense standoff between Lionsgate and Fox over the sequel services of Jennifer Lawrence, who will reprise her role as Mystique in the sequel to X-Men: First Class. That has also been somewhat overblown; Fox had an option deal on Lawrence way before she signed on to play Katniss Everdeen in The Hunger Games. That put Fox in first position. Since Lionsgate has a Catching Fire script done, Fox allowed them to go first. As for the notion that Ross would simply toss away the opportunity to return and direct Catching Fire because of a salary squabble, the logic seems flawed. The Seabiscuit director knows the benefit of riding in a winner and not switching horses midstream. Ross lobbied hard to get The Hunger Games and turned it into the biggest hit of his directing career. Before that, he developed several serious historical dramatic projects under his deal at Universal that didn’t get off the ground. Staying for a sure-fire hit and ... Read More »

'The Hunger Games': The Reviews Are In!

Critics praise director Gary Ross' 'rich realization of the book's many worlds,' from District 12 to the Capitol as hotly anticipated film hits theaters.By Eric Ditzian Jennifer Lawrence in "The Hunger Games" Photo: Lionsgate "It didn't surprise me, which was good," Jennifer Lawrence told MTV News of her first viewing of "The Hunger Games." We suppose that makes sense, seeing as Lawrence is the face of the YA adaptation and that the responsibility of bringing heroine Katniss Everdeen to the screen is, dauntingly, hers alone. But we confess, it did surprise us. There were pitfalls aplenty for director Gary Ross. He could have succumbed to "Twilight" fever and played up the story's simmering-in-the-background love triangle. Cowering in awe or fear of the series' million of fans, he could have been excessively deferential to the source material, declining to expand the "Hunger Games" world beyond Katniss' first-person narration. Or, more simply, Ross could have just made a crappy movie. None of that came to pass. Our worries were unfounded. In "Hunger Games," Ross has given us not only a kickass adaptation of a beloved book, but a kickass movie, full stop — an opinion shared not only by MTV News and Lawrence but by the vast majority of critics. Read on for a deep dive into "The Hunger Games" reviews. The Story "The greatest triumph of 'The Hunger Games' is Ross' rich realization of the book's many worlds: District 12 is painted as a reminiscent Southern mining town, haunting and vibrant; The Capitol is a utopian metropolis obsessed with design and flair; and the Hunger Games battleground is a sprawling forest peppered with 'Truman Show'-esque additions. ... For fans, the script hits every beat, a nearly note-for-note interpretation of author Suzanne Collins' original novel — but those unfamiliar shouldn't worry about missing anything. Ross knows his way around a sharp screenplay (he's the writer of 'Big,' 'Pleasantville' and 'Seabiscuit'), and he's comfortable dropping us right into the action." — Matt Patches, Hollywood.com The Adaptation " 'The Hunger Games' works almost better as a movie than a book; its pacing is slightly and effectively altered (the movie's a little more than half over by the time the Games actually start), its visuals striking, its close-in filming style parallels the intimacy of the first-person book. And it carefully walks a difficult line: How do you tell an essentially violent story without glorifying that violence?" — Moira Macdonald, The Seattle Times The Performances "As Katniss, the extravagantly talented Jennifer Lawrence renders her character with surgical precision. Her defiance against the Hunger Games' overlords is instinctual. Her stoic composure in the face of danger doesn't come so naturally; when it slips we see the vulnerable girl clearly. Lawrence delivers an absolutely assured performance but she's hardly the whole show. As her fellow competitor Peeta, Josh Hutcherson moves persuasively along an arc that begins in conflicted feelings and deepens to friendship, loyalty and love. Donald Sutherland is subtle and sinister as President Snow. ... Stanley Tucci makes a vile, vampire-like impression as the Games' on-air master of ceremonies, sporting a navy blue 17th-century periwig and pearly, carnivorous teeth." — Colin Covert Minneapolis Star Tribune The Dissenters "Was it wrong to expect something more from 'The Hunger Games' other than pajama-party fodder? Suzanne Collins' dystopian sci-fi novel — the first in a trilogy — was rife with potential for a bold, daring entertainment that blended dark satire and social commentary with big action beats and thrills. Instead, what director Gary Ross opted for is an earnest, plodding thumb-sucker — a sugar-coated pacifier to appease the screaming hordes. This is a science-fiction movie of the blandest, most generic order, technically adequate but devoid of any wit or insight or anything more substantial and lasting than the cool image of Jennifer Lawrence wielding a wicked bow and arrow." — Rene Rodriguez, Miami Herald The Final Word "Just wow. Since launching this site in 2009, I've been anxious and excited to someday see the film version of 'The Hunger Games.' I expected some level of 'Hollywood' — pointless changes, glamorization, fakeness, and always had that nagging worry that the movie would be a huge disappointment. After seeing it I can say ... this movie is amazing. Fans of the books and non-fans alike will be entertained, intrigued, and moved by Gary Ross' film version of Suzanne Collins' novel." — Kimmy West, Mockingjay.net Check out everything we've got on "The Hunger Games." For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com. Related Videos MTV Rough Cut: 'The Hunger Games' Related Photos 'Hunger Games' Cast Hits NYC The Hunger Games

'Hunger Games' Costume Designer Reveals Biggest Wardrobe Challenge

'The dress [had] a very big chance of coming off as cheesy,' Judianna Makovsky says of Katniss' interview frock. By Amy Wilkinson Jennifer Lawrence in the girl on fire costume in "Hunger Games" Photo: Lionsgate Costume designer Judianna Makovsky has been a member of Gary Ross' cinematic glam squad for years. That's why when "The Hunger Games" director was piecing together a pitch as to why he should helm the dystopian drama, he made a late-night call to his trusted colleague. The thrice-Oscar-nominated designer has collaborated with Ross on a number of his films, including "Pleasantville" and "Seabiscuit," and now the duo may be working on their highest-profile project yet — one in which wild wigs, garish gowns and flame-licked jumpsuits are just another day at the office. In anticipation of the March 23 release of "The Hunger Games," MTV News put in a call to Makovsky to talk about the Capitol's crazy couture and how author Suzanne Collins' elaborate vision was brought to life — albeit with a few alterations. MTV: How much did you know about "The Hunger Games" before Gary Ross came calling? Judianna Makovsky: I had not read them, I have to admit. I hadn't even heard of them. But Gary Ross had called me, and his kids loved them, and he said, "I really want to do this movie." I was on another movie set in Shreveport, Louisiana. He said, "You have to go get it," and I said, "It's 10 o'clock at night." He said, "You have to get it first thing in the morning. You have to read it." I'm like, "OK." And then I was sending him images every day so he could start thinking. They were talking to several directors, and he really wanted to do it. It was great to start that early with him — trying to find images that were useful to him. MTV: I have to imagine reading the series and Suzanne Collins' vivid descriptions were an evocative experience for an artist like you. Makovsky: I have to say, I try to read everything like a fan, but I also read it as a costume designer, and I go, "Oh my god. How do you do that?" Also, I was lucky enough to have a meeting with Suzanne, and a lot of things that are in the written word do not translate well to film. Lucky for me, she understood that and knew that and said, "Do what you need to do. If you think it's not going to translate, I understand." And she was great about it. MTV: Did you show her any of your drawings? Makovsky: At that point, if was fairly early. We had very few. We had already done mood boards for the districts and where we wanted to go. And, yes, she was there for that and loved all of that. It was great. MTV: What were your initial discussions with Gary Ross like? Makovsky: The initial discussions always start with character. I would say on this movie, we started with the world that they were going to live in. Philip Messina is the production designer. I've worked with him before; we're a great team. Gary, Phil and I all sat down and just talked about what this world was going to be, and how do you have District 12 — how does that reflect in the Capitol? Because it is all the same planet, it is all the same time period. So they have to make sense together ... Before Gary got the job, we sent him all these images of coal-mining towns and all these things. He picked up some of them and just went, "This is it. This isn't a period movie, but I want the feel of these photographs." So it was basically a discussion about the world they lived in, and then we started talking about individual characters. MTV: As you started working on each character, how much input did the individual actors have? Makovsky: There's no point in designing particular things until you know who the actor is, whether I have a discussion with them or not. Katniss, I worked very closely with Jen [Jennifer Lawrence] because she was cast first. I had actually worked with Josh [Hutcherson] before, so that made that easy. I had worked with Donald Sutherland before. A lot of the actors were unavailable for fittings. They were all over the world shooting things. I sent them images, then I did sketches for them. Then we basically made it without them and they showed up and put it on! I have to say, the age of the Internet is a fabulous thing. You can scan things and send things and have these discussions at three in the morning when they're in Budapest or wherever. MTV: Which outfit posed the biggest challenge to you? Makovsky: I think the interview dress. I think it was the hardest because the description in the book was something every fan loves but, honestly, in my opinion, and in all of our opinions, it wasn't going to translate. Having this dress covered in flame-like jewels, you know, it's no longer about Katniss. It's about the dress. Also, the dress has a chance, a very big chance, of coming off as cheesy. MTV: I can see how it might verge into figure-skating-costume territory. Makovsky: See, that's what I was worried about. It was going to be a "Dancing With the Stars" dress. I said, "I think we shouldn't go that way." First of all, all those jewels, it's going to be so heavy it won't twirl. She won't be able to move or walk. People don't realize that. I decided that it should really be about Katniss, and I wanted a young, fresh, modern couture cut, that when you first see her beautiful dress and she does her twirl, it does what it does. I mean, the bottom does have Swarovski crystals on it. But I really wanted it to be about Katniss. How beautifully she has transformed. It's not the dress that transformed her. It's her. Her beauty comes through. MTV: Fans were also really excited to see Katniss' sleek Girl on Fire outfit. You have a bit of experience with jumpsuits from working on "X-Men: The Last Stand." Did you hearken back to those superheroes for inspiration? Makovsky: I actually had the woman who made my "X-Men" jumpsuits make these costumes for me. She's a genius at that kind of fit. Everyone thinks it's leather — it's not leather. It's a novelty stretch fabric with this embossed plastic on it. It's a very strange fabric. There's also some stretch patent leather in there, but there's no leather. I just wanted something that would have this incredible silhouette and have the shine of coal. In the books, it's actually described a little bit more bland to me. It sounds like leotards and tights with high boots. It has a cape. There were all kinds of things that had to change because of physical and practical things on a chariot. The description in the book — Katniss and Peeta wear the same thing. Katniss had this fabulous headdress, but you put the headdress on Peeta and it looks pretty stupid. You can't always do the same for a boy and a girl. MTV: Even though Katniss is the one in the spotlight, everyone seems to be most excited about Effie Trinket's looks. Makovsky: She's the essence of the Capitol. Working with Elizabeth [Banks] — Oh my god! I had so much fun. I've worked with her before. She actually called me before she was allowed to because her deal wasn't done. She said, "I think we should start now. I'm coming over." I had all these ideas that I had pulled out, fabric swatches and whatever. She came over and looked at what would work for her. We tried shapes on her, and they kept growing and growing and growing. It was really funny. Just to give her a certain walk. Effie is very prim in a funny way. So we wanted that primness to come through even though we sort of wanted to lampoon high fashion a little bit. It's a little bit silly but it is still pretty. Check out everything we've got on "The Hunger Games." For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com. Related Videos MTV Rough Cut: Josh Hutcherson Related Photos 'Hunger Games' World Premiere Red Carpet

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