
(Reuters) - Boeing Co is on track to hit its production rate target for the 787 Dreamliner next year and is studying the possibility of raising that target, the head of the planemaker's commercial airplanes unit said on Tuesday.

(Reuters) - Global airlines are fundamentally healthy, and demand for new airplanes is growing, Boeing Co Chief Executive Officer Jim McNerney said on Tuesday.

MTV News takes a look at Swift's hip-hop history, leading up to her track with the Strange Clouds rapper.By Jocelyn Vena Taylor Swift Photo: Getty Images Taylor Swift — or T-Swizzle, as she's known in rap circles — has been working her way toward a legitimate appearance on a hip-hop track for some time now. After welcoming many an MC onstage during her Speak Now Tour, the singer now guests on B.o.B's Strange Clouds track "Both of Us." The Dr. Luke-produced song blends the unlikely duo's musical genres, with jangly guitars that pay homage to Swift's country roots and synthy beats that have Bobby Ray's hip-hop flavor. Surprisingly, the duet came about at the insistence of the singer. B.o.B recently explained that "she came to Atlanta and she hit up Grand Hustle. I wasn't there. Tip was there and I eventually linked with her in Dallas and the rest is history." This is not the first time the twosome have appeared on a song together. Last year, during Swift's tour, B.o.B took the stage to perform "Airplanes" with the star. Swift took over chorus duties from her pal (and Paramore leading lady) Hayley Williams. But we have to go back even further than that to really dive into T-Swizzle's hip-hop history. In a 2008 MTV News interview, the singer opened up about one day wanting to work with rappers. "I'd like to do a completely off-the-wall collaboration," she said. "I would like one of my songs to be the hook to a rap song. That would be so much fun! You know, I love Kanye West and I love T.I. — he's amazing." The following year, at the 2009 CMT Awards, she hooked up with T-Pain parody her good-girl image in the song "Thug Life." She showed not only her gangster side, but also her funny bone, rapping lyrics like, "You can find me making cookies at night/ You out clubbing? I just made caramel delights." Taking some time off from her rap game for a minute, in 2011 she enlisted the likes of Nicki Minaj, Flo Rida, and, yes, T.I. to put her stamp on some of their biggest hits during the Speak Now Tour. Initially, it surprised Tip that the country cutie would want to have him appear onstage with her last October. T.I. explained, "I was confused, because I know it's a phenomenal opportunity, but being T.I. — the Rubberband Man — and Taylor Swift being America's Sweetheart, I had just gotten out of prison like two days [earlier] and all of a sudden my phone rings." Eventually, though, she was welcomed with open arms into his crew. "Taylor's extended Hustle gang. She a part of the crew," T.I. said in March. "She just ain't got her dog tags yet, but she's a part of the crew, though." In the midst of the tour, Swift talked about asking rappers to perform with her. "I'm a huge hip-hop fan," she shared. "And it's been so amazing to have so many incredible artists come out and to get to sing the hooks on their songs that I've been blasting in my car for the last couple years." Now, with so much practice singing other people's hooks behind her, it seems like the right time for her to get her own. On the B.o.B track, she sings, "I wish I was strong enough to lift not one, but both of us/ Someday, I will be strong enough to lift not one but both of us." The lines mirror the song's theme of battling hardships and strife. "Both of Us" will be featured on B.o.B's May album release. Are you ready for more T-Swizzle? Let us know in the comments! Related Videos MTV First: Taylor Swift Related Artists Taylor Swift B.o.B T.I. Flo Rida

Teams Adam and Cee Lo hit the stage to sing for America's votes.By John Mitchell Jamar Rogers on "The Voice" Photo: NBC Last week on "The Voice," Teams Blake and Christina hit the live stage and saw their numbers dwindle by two contestants each after all was said and done. On Monday night (April 9), it was Team Cee Lo and Team Adam's turn to sing for their survival in the competition and secure a spot in the quarterfinals. Levine and Green, out of his Elvis clown costume from last week but sporting the bright red he's been rocking all season, seemed in good spirits at the top of the show, even joking with Blake about how underdressed he was. Remember: The top three vote-getters from each team will move on automatically, while the bottom three will perform for their respective coach (and America, duh!) Tuesday night, hoping to secure Cee Lo or Adam's lone "save" to stay in the hunt to be the next "Voice." Away we go! Up first was Team Adam's Katrina Parker, singing the Smashing Pumpkins' "Tonight, Tonight." Adam's big advice for Katrina was to stay away from belting too hard to avoid comparisons to Adele. She did what he said but drew mixed reviews from the judges, who felt the song wasn't a good showcase for Parker's talents. Team Cee Lo's first contestant to take the stage was Cheesa, whose play on the '70s classic "Don't Leave Me This Way" was brimming with coach Cee Lo's signature Technicolor swagger and had the judges championing her showmanship. "That was like watching 'Solid Gold,' " Blake said. "That had Cee Lo written all over it." Team Adam's Tony Lucca has become an early favorite for one big reason: He used to share the TV screen with coach Christina Aguilera — who's been looking better than ever with toned-down makeup and hair since the live shows began — on Disney's "The Mickey Mouse Club." Sensing what Aguilera ultimately called out — that he can be a "one-dimensional" performer, who has been helped along by his connection to her — Adam pushed Lucca to go more pop with Peter Gabriel's "In Your Eyes," but Lucca's rocker growl struggled through the song's falsetto moments. Kim Yarbrough was reliably strong if imperfect singing Adele, but when are we going to put a moratorium on tackling Adele? In its relatively short life, "Rolling in the Deep" has been pillaged by reality-TV singing contestants almost as much as, well, Christina's "Beautiful" circa 2004-ish "American Idol." Boston mechanic James Massone from Team Cee Lo got tossed a curveball with Norah Jones' "Don't Know Why" and proved himself both a chameleon with a killer falsetto (take lessons, Tony Lucca) and quite a lady's man. Blake was his most enthusiastic supporter, declaring, "I almost threw my panties on the stage just now." (And here we thought he only got worked up like that when his best bro hit the stage. Hope Adam doesn't get jealous!) Meanwhile, the night's next two performers, gravel-voiced rocker Juliet Simms and unique-voiced Mathai, played right to their strengths with Sting's "Roxanne" and a jazzy remix of John Legend's "Ordinary People," respectively, and earned the expected raves. "You did the best of anyone who's performed so far," Adam said of Simms. "Your voice is dope," Xtina concurred. Ultra-confident rocker Tony Vincent was up next, singing "Everybody Wants to Rule the World." If the Broadway-meets-dictator-podium stage setup was strange, his vocal performance was anything but. He reeled it in from previous performances and proved he could control his powerful voice. Simms, Mathai and Vincent were definitely tough acts to follow, but subdued Karla Davis, singing "Airplanes," and Team Cee Lo's former model Erin Martin were picked for the task. Christina called Karla the "biggest surprise of the night," while Blake criticized the song choice, and even Adam commented that Davis did a stronger job when she was less nervous while they were practicing in the rehearsal space. Martin certainly brought serious production values to her take on the Bangles' "Walk Like an Egyptian" (with her chariot and man dancers, she was giving us Madonna at the Super Bowl vibes, albeit in a much smaller way) but forgot to bring much aggression to her actual performance. "Here we go again with the male strippers," Blake commented. "I think Blake just bought a one-way ticket to Boner Town," Adam quipped in response. "And it's not refundable," he hit back. It's never a great sign when the judges are more consumed by the production than the performance when you're on a show called "The Voice," is it? The folks behind the scenes wisely chose two of the show's best-known showstoppers for the end of the night, saving Team Adam's preppy Pip and Team Cee Lo's Jamar Rogers for last. Adam wanted Pip to break out of his shell and gave him the chance to show off his rock-star bona fides with "When You Were Young." Pip brought flash, but Christina wasn't loving it, saying she didn't feel like he was connected to the song and had early pitch issues. Adam agreed; Pip's got the voice, but he's missing the grit and, should he move forward, that is something they will have to work on. Closing out the night, Rogers hit the stage in his best Michael Jackson jacket for Lenny Kravitz's "Are You Gonna Go My Way." The audience loved it and so did the judges, and Jamar, with his unstoppable stage presence and dramatic backstory of overcoming drug addiction and living with HIV, continues to seem like a front-runner in the competition. Who do you think gave the best performance tonight on "The Voice"? Let us know in the comments below! Related Artists Adam Levine Cee Lo Green Blake Shelton Christina Aguilera

Grand Hustle artists were joined by Wale, Meek Mill, Curren$y at Warner Music showcase.By Nadeska Alexis T.I. and B.o.B perform at the 2012 SXSW Music, Film + Interactive Festival Photo: Universal Pictures There was no shortage of options in Austin, Texas, on Thursday night if you happened to be a hip-hop fan at SXSW on the hunt for a good show. While Lil Wayne and YMCMB put their talents on display at Austin Music Hall, just five minutes down the road T.I., B.o.B, Wale, Meek Mill and Curren$y brought down the house at the Warner Sound showcase. MTV News correspondent Sway Calloway hosted the event at La Zona Rosa, where Grand Hustle Records had a triumphant night and Maybach Music Group continued to rep their expanding roster. Curren$y, Kirko Bangz and XV got the packed house adequately warmed up for a night that easily stretched into the wee hours of Friday morning (March 16). Grand Hustle announced their arrival with B.o.B's raucous entrance to "Beast Mode," backed by a live band. His next number, "How Bout Dat," commanded a fleet of backup dancers. He followed that with the upbeat single "Magic" off his debut album, B.o.B. Presents: The Adventures of Bobby Ray. The song faded into a dubstep beat, pushing the dancers front and center to showcase their moves before the venue finally went dark. With nothing to see or hear, the crowd hung back, wondering what would be next. That would be Mr. Grand Hustle himself. "They say Grand Hustle is in the building," Tip announced over the mic, followed by a long pause before "I'm Back" came booming through the speakers. "Rubberband Man" was a natural choice to follow, sending the crowd soaring along with "U Don't Know Me." Tip took a break only to plug his upcoming eighth album, Trouble Man, which is tentatively due out this summer, before continuing with fan favorites like "What You Know" and one of his more recent singles, "Pyro." From there, B.o.B and T.I. continued to tag-team the set, and Tip was proud to announce that this was the first time he and his signee had "done a full show together." Playboy Tre was on hand for "Bet I Bust." "Don't Let Me Fall" was delivered on acoustic guitar, and T.I. even threw in "Whatever You Like" to round out Bobby Ray's "Airplanes" and "Strange Clouds," the title track of his upcoming album. It was already after midnight when MMG rappers Meek Mill, Stalley and Wale finally took the stage. Meek and Stalley were up first, with energetic singles like "I'ma Boss" aiming to keep the crowd going. Wale did his part to keep the energy alive, performing his hits "Lotus Flower Bomb" and "Slight Work" and commanding a guest appearance from Travis Porter. The D.C. rapper closed out the night with his street anthem "Bait" and the cult favorite "No Hands." Related Artists T.I. B.o.B Wale Meek Mill

(Reuters) - The head of Boeing Co's Commercial Airplanes unit reaffirmed on Wednesday that the plane-maker can correct a glitch on the 787 Dreamliner and meet its delivery goals for the plane this year.

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