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PHILADELPHIA (Reuters) - Monsignor William Lynn testified on Wednesday at his criminal trial in a Philadelphia pedophilia case that he reassigned a predator priest to live in parish housing attached to an elementary school, where he ultimately abused another child.

'It's the first time it's in 3-D — my ears are in 3-D for the first time,' Smith tells MTV News.By Kara Warner Will Smith in "Men in Black 3" Photo: Columbia Pictures If you are a fan of "Men in Black" and "Men in Black 2," then you should definitely plan on seeing the franchise's third film, "Men in Black 3" when it hits theaters this weekend. Not only are our favorite suited-up agents J and K up to their old tricks, witty banter and all, but their third outing features an appropriately science-fiction-y element of time travel that introduces us to a young Agent K, expertly played by Josh Brolin. If those plot points don't have you ready to buy tickets, take it from the series' star Will Smith himself, who says you won't want to miss seeing his ears in 3-D. "The fun of [this film] is trying to make it new but not so new that it don't match," Smith told MTV News recently. "We had to be able to create something that was brand-new, that stands on its own, and it's been 10 years since the first movie, so there were a lot of things working against it. But it's the first time it's in 3-D — my ears are in 3-D for the first time," he said with a laugh. "I'm very happy with it." Smith went on to tell a story about another part of the film that made him happy: watching an alien chicken trip and fall. "With these types of movies, the set tends to take on the tone of the movie, the amount of silliness and things. You just see the most bizarre things on movies like this," he said. "I saw a 7-foot-tall chicken trip and fall. You would never see that anywhere in the world! There was a chicken alien and she had these foot-and-a-half heels on so she was 7-foot-tall in a chicken outfit, and she trips and falls. I just thought that was fantastic." Bring up the "favorite moments during filming" subject with director Barry Sonnenfeld and he'll tell you a tale of his star's acting skills being a bit rusty at the start of production. "On the first day of photography, we filmed Will on a blue-screen stage having to jump down [from the top of the Chrysler building], and what was great about it was that he hadn't acted in three years and was really bad," Sonnenfeld recalled. "Luckily, we cut out the bad stuff, but that first take we did after he hadn't acted in three years, I was sweating because he was no good. After I yelled, 'Cut!' Will said, 'Baz, I can do better! I'm really rusty!' And within a day or two, it all worked out fine. But man, it was interesting. You know how they say 'Once you learn how to ride a bicycle, you never forget?' Well, Will forgot how to act for the first day or two. Luckily he wasn't acting with other actors or it would have been really embarrassing." Check out everything we've got on "Men in Black 3." For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com. Related Videos MTV Rough Cut: 'Men In Black 3'

Jordan Zakarin With nostalgia at its peak, THR takes a look back at the furry alien from Melmac -- who may just be returning for another go-round in the spotlight.read more

DMB returned to the stage at the fest, while the Flaming Lips paid tribute to an old classic.By James Montgomery The Flaming Lips' Wayne Coyne performs at the 2012 Hangout Music Festival Photo: Tim Mosenfelder/Getty Images GULF SHORES, Alabama — Not long after the Dave Matthews Band had finished their cover of Bob Dylan's "All Along the Watchtower" on Sunday night, and only minutes after the final flare of fireworks had faded out over the Gulf of Mexico, the crew who held the Hangout Festival together for three long days was already in the process of tearing the whole thing down. Fences were disassembled and carted off by forklift, massive stage-spanning banners were folded by weary stagehands, and crews of volunteers walked arm-in-arm along the stretch of white-sand beach picking up empties and stray cigarette butts. Such is the task of closing up shop at a fest unlike any other, one held on the shore of the Gulf, amid dunes and boardwalks: The goal is making it look like nothing happened here at all. But ask any of the 35,000 who descended on Gulf Shores for their thoughts on the weekend, and you quickly learn something very big happened here indeed. In its third year, the Hangout pulled together a lineup of top-tier talent — not just headliners like DMB, Jack White and the Red Hot Chili Peppers, but jam heavies like the String Cheese Incident, electro titans Skrillex and Kaskade, simmering hip-hop acts like Mac Miller and Yelawollf, legends like Randy Newman and Mavis Staples, and curio cases like Big Freedia, too — put on a massive party in a picture-perfect setting, and established itself as a genuine destination in the Southeast's burgeoning music-festival scene. If anything, the past three days served as its coronation ... welcome to the big leagues. So, of course, the Dave Matthews Band were the perfect act to bring the 2012 Hangout to a close. After all, they are about as close as you can get to Southern royalty, and from the minute the gates opened on Sunday, it was clear that they were the band most folks plunked down their hard-earned cash to see. And as a bonus, they've just returned to the road after a two-year hiatus ... which meant that Sunday was an even bigger deal. And DMB didn't disappoint — even if they did take the stage 20 minutes late — delivering the goods with a two-and-a-half-hour set that delved deep into their back catalog, featured plenty of lengthy, eye-opening jams and reminded folks that this is clearly still a band to reckon with. Their set was heavy on live faves (opener "Big Eyed Fish," "Don't Drink the Water," "Jimi Thing," "Two Step"), a pair of Matthews' solo tracks and even a song off their upcoming Steve Lilywhite-produced album, called Mercy, which was a genuine highlight. The band's lithe improvisational skills were on display too, as drummer Carter Beauford was given plenty of time to shine, and bassist Stefan Lessard soloed gloriously in the encore. And Matthews was his usual ebullient, wine-soaked self, telling the crowd, "I don't know if you changed your hair, or changed your fragrance, but I noticed walking around here, you are so good looking," before starting the Big Whiskey standout "Seven." Of course, the DMB weren't the only attraction on Sunday, as 30 minutes before their set, the masses flocked to the opposite end of the beach to catch the Flaming Lips doing their version of Pink Floyd's Dark Side of the Moon, which, given that the album itself is only 43 minutes long, actually took place at the end of an abbreviated Lips' set and kicked off while the sun was still very much hanging over the beach (note to organizers: it's usually best to schedule a Dark Side tribute at night). Still, as they are wont to do, the Lips gave it their absolute all, turning in a (not always note-perfect) re-creation of the classic album, but one that still shined, thanks to the band's readily apparent love for the source material, and their scruffy determination. Frontman Wayne Coyne bounded across the stage, surfed into the audience in his omnipresent plastic bubble and pushed his voice to the brink. The band welcomed the usual assortment of oddballs onstage (a catfish mascot, an alien, a whole lotta girls in Sailor Moon finery), and aided by backing band Phantogram, they imbued Dark Side's heady expanses with rubbery instrumentals and general weirdness. "Time" was a psych-tinged, stony romp, the Lips' Swedish-imported songstress put her own spin on the soaring wails of "The Great Gig in the Sky," and "Us and Them" got a jolt from an electro-boogying instrumental in the middle. And before starting "Money," Coyne told the audience (a probably apocryphal) story about Dave Matthews giving him $10,000 in cash backstage, which was inserted into balloons and sent towards the crowd. The resulting scene, in which concertgoers fanatically grabbed at the balloons while Coyne bleated lines like "Money, so they say, is the root of all evil today" was a rather brilliant bit of social commentary, to say the very least. And how often does something like that happen at a music fest? Tellingly, that seemed to be the ongoing refrain of Hangout 2012 (that or "Would you like some free beer?"), which, thanks to one weekend filled with wondrous musical moments, both straightforward and odd, and an unbeatable locale, appears well on its way to becoming a fest to reckon with in the years to come. Of course, by the time you read this, it'll almost be like it never happened at all. Related Photos Rockin' Out At The 2012 Hangout Music Festival Related Artists Dave Matthews Band