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AP - A man who police say was part of boxing champion Floyd Mayweather Jr.'s entourage is facing charges of attempted murder and assault with a deadly weapon stemming from an August shooting outside a Las Vegas skating rink, authorities said Tuesday.

More than a decade after the Notorious B.I.G.'s death, our Mixtape Daily team is still hashing it out.By Shaheem Reid and Rahman Dukes Notorious B.I.G. Photo: Getty Images Legacy Salute: Biggie's Best, Part 1 Tuesday (March 9) marks the 13th anniversary of the death of the Notorious B.I.G. There aren't enough accolades to give the Brooklyn bone-crusher. Biggie helped mold one of the greatest eras in hip-hop with a versatile style and gift for wordplay that has him perennially listed in the top three when you ask most hip-hop fans to name the greatest MCs of all time. Here, your favorite hip-hop team chooses some of Frank White's pre-eminent musical accomplishments. Best Album Shaheem Reid: Life After Death How do you distinguish extreme excellence? How do you look at two albums by the same artist — both of which you feel are in the top 10 greatest hip-hop creations ever made — and put one over the other? Ready to Die vs. Life After Death is a subject I've debated going on 10 years now. No argument has a clear-cut winner. Both albums are classics. Both have stood the test of time. You can't logically dis a song on either LP. There might be some records you prefer over others, but Big didn't have anything wack on his albums. For me, though, I go with Life simply because I feel that it was Biggie at his best. He had evolved. He grew. Big touched all bases from the 'hood to Hollywood in two immaculately put-together discs — a feat that no other MC has been able to duplicate since. Nothing could ever replicate the initial euphoria that Ready brought, but Life was the master with his craft fully perfected. Rahman Dukes: Ready to Die Nothing can replace that feeling hip-hop heads in New York City experienced in the days leading up to this release. I specifically recall the Friday before RTD was set to shock the world. It seemed like every car from Brooklyn to Queens was pumping "Juicy" and "Unbelievable." Back then, albums were on cassette tapes and not bootlegged. Imagine hearing this flawless masterpiece for the first time in its entirety. The East Coast ran hip hop in the '90s, and Ready was the icing on the cake. The movement the album set off in the Tri-State Area was the first to do it, only duplicated years later when 50 Cent dropped Get Rich or Die Tryin'. Hmm, that title Get Rich or Die Tryin' sounds eerily similar to ... you know the rest. Best Single Unanimous Choice: "Hypnotize" "Hypnotize" had the million-dollar video with the mermaids and the car chases, but it's way more than the visual production that puts this record slightly above our other favorites Big singles like "Big Poppa" and "One More Chance." "Hypnotize" was so hot in its heyday that it felt like the walls in the club would just melt when the DJs pulled it back (sometimes up to 10 times in a row). We were absolutely devastated that Big was gone, but this record helped us get through it. Big left us three and a half minutes of pure jubilation to celebrate his life and legacy. Best Album Cut Reid: "The What" from Ready to Die The Bad Boy/ Wu-Tang Clan pairing was too much. "N---as know soft like the Twinkie fillin'/ Playing the villain/ Prepare for this rap killin'/ Biggie Smalls is the illest/ Your style is played out like Arnold and that 'What you talkin' bout Willis.' " Big was as merciless as an NFL linebacker attacking the blindside of an unsuspecting quarterback, wonderfully cocky and as humorous as eight episodes of "Def Comedy Jam" all in just a few bars. You put that with a hungry and focused Method Man, who lyrically spat broken glass all over the track, and you wonder why Diddy — in his infinite wisdom — never pushed the button on this classic with radio adds and a video. Dukes: "Everyday Struggle" from Ready to Die B.I.G. was a true master at making some of the most hard-core tracks come off as commercial material. If you tune out exactly what he was saying on songs such as this one, you'd think it was something that you could expect to hear on regular rotation. But then there are lines like this: "I got my honeys on the Amtrak/ With the crack in the crack of her ass/ Two pounds of hash in the stash/ I wait for hon to make some quick cash/ I told her she could be lieutenant, bi--- got gassed." It's a bit explicit, but I'm sure you get my point. Best Guest Appearance Reid: Jay-Z's "Brooklyn's Finest" Another tough one. Big was prolific not just with his own projects, but with doling out the love on his peers' records as well. I had an inner conflict trying to figure out if I should go with Shaq's "You Can't Stop the Reign," where the swagga was off the Richter, or Puff's "Victory." But in the end, I had to give it to his back-and-forth with Jigga. Both MCs were relentless, neither one wanting to let the other get the upper hand. In the end, Big and Jigga made the best tag-team duo since Slick Rick and Doug E. Fresh on "The Show." Dukes: Shaquille O'Neal's "You Can't Stop the Reign" I think the beauty behind this monster is that this record came out around the time when B.I.G. was in rehab and took a break from the rap game. The wordplay on this song is historical. "A lime to a lemon/ My D.C. women bringin' in to G-minimums/ To condos with elevators in them/ Vehicles with televisions in them/ Watch they entourage turn yours to just mirages/ Disappearin' acts, strictly nines and macs/ Killers be surreal, Copperfield material/ My dreams is vivid, work hard to live it/ Any place I visit I got land there/ How can players stand there and say I sound like them, hello." Ten years since the release of this song, nothing comes close to what Big had to say. The irony is that he gave such a jewel away to Shaquille O'Neal. Shaq, you owe the Christopher Wallace estate big time for this one. For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines. Related Videos Mixtape Daily: Tyga

Thirteen years after his death, we check in on the ongoing investigation.By Jayson Rodriguez Notorious B.I.G. Photo: Courtesy of VIBE Thirteen years ago Tuesday (March 9), hip-hop lost one of its most beloved, charismatic and talented MCs to ever put rhymes to a beat. The Notorious B.I.G. was senselessly gunned down in Los Angeles on March 9, 1997, as he left a Soul Train Music Awards afterparty. To date, the assailants remain at large. Investigations into the murder of the Brooklyn rapper are ongoing, and a wrongful-death lawsuit filed by Biggie's mother, Voletta Wallace, and others against the city of Los Angeles and other defendants is also pending. Remembering The Notorious B.I.G. The ongoing quest to punish the people behind Biggie's death, however, continues to leave those involved frustrated. Ms. Wallace declined to comment on the status of her lawsuit but issued a brief statement to MTV News: "I thank you for the opportunity to touch [my son's] fans and for the network's continued support of me and the family, but it's been 13 years, I miss my son, his children miss their father, and the murderer is still at large." Theories abound about the murder of the iconic rapper, which occurred only a short distance from the Petersen Automotive Museum where Biggie, Diddy and their entourage were celebrating just moments before. According to author Randall Sullivan's book "LAbyrinth," associates of Death Row Records CEO Suge Knight, who was embroiled in a feud with Diddy's Bad Boy Records, conspired to kill Biggie. The book, based on extensive research conducted by Sullivan and interviews the writer held with former Los Angeles Police Department detective Russell Poole, an investigator into Biggie's murder, those involved in the hit on Biggie were dirty cops. "They say some cops become gangbangers; well, these guys were essentially gangbangers who became cops," Poole told MTV News. Rafael Perez and David Mack, Poole alleged, were just two of the many LAPD officers who were on the payroll of Death Row Records. According to Poole, the officers' primary sense of duty and allegiance to the police force was tainted by their involvement with Death Row. The two eventually went to prison but on charges unrelated to the investigation into the Notorious B.I.G. murder. Poole maintains there were clues that pointed to each man that should have been looked into further. "I've put away guys for life with less evidence [than I had on Perez and Mack]," Poole said. Through a complex web of deceit intended to shield the LAPD from a controversial scandal, Poole said, members of the force, including the chief at the time, suppressed efforts to look into policemen who were connected to Suge Knight and Death Row. Poole eventually resigned in protest, amid his frustrations that the investigation was being sabotaged. A representative for the LAPD declined to comment when contacted by MTV News about the status of the rapper's murder investigation. At one point, the FBI picked up the investigation but later announced it had stopped its pursuit. A representative for the FBI also declined to comment when contacted by MTV News. Ms. Wallace's wrongful-death lawsuit remains open. The case was brought to trial at one point, but days later it was declared a mistrial after it was discovered the detective who took over as lead investigator in Biggie's murder hid evidence. The mistrial was announced July 7, 2005, however, no further advancements have been made since in pushing the case to trial again. Poole alleged that police initially sought to slow down the investigation into Biggie's murder in order to keep the lid on possible LAPD involvement in the crime. Now, he said, the new administration and Los Angeles' power players are striving to keep the truth buried for fear that civil-lawsuit payouts could bankrupt the economically challenged city. In any event, the former detective said he's ready to be a witness in Ms. Wallace's case and will testify whenever he is called upon. For now, Poole waits, haunted by a puzzling case in which he seems to have too many pieces gathered to not complete the full picture. "I want this thing solved before I die," he said. "Every detective has a case that they think about each and every day, and this is the case right there. This is the case I think about every single day before I go to bed. It never goes away. It'll haunt me for the rest of my life. The day it's solved, I'll be able to relax." Related Photos Remembering The Notorious B.I.G.

Radio exec says he advised Wayne's crew against bringing tour buses into New York.By Shaheem Reid Lil Wayne, 07.22.07 Photo: MTV News Ebro Darden, Director of Programming for New York's Hot 97 and KISS-FM, was one of the people who spearheaded Lil Wayne's New York concert on July 22, 2007 — after which he was arrested on the attempted gun possession charges that are sending him to jail today. Darden, a veteran of radio for over 20 years, said he and his staff urged Wayne and his entourage to not to travel to the Beacon Theater on their tour bus. "They decided they wanted to drive their tour buses through Manhattan because they didn't want to ride in regular cars that day," Darden recalled. "I suggested against it, but obviously [he's] the type of person that likes to be in an environment he's comfortable in. That's where he lives a lot. He spends a lot of time on that tour bus. Leaving that tour bus in one place and jumping in the car and going to another place was uncomfortable. So we parked the tour buses outside [the theater]. "My reaction to the actual incident at first was, 'Damn. Didn't he know he was in New York? 'Cause they don't play that,' Darden continued. "I didn't know the particulars — if the gun was his, if the gun was in somebody else's bag, if it was in his bag. I just knew that somebody I like as an artist got caught up in something, same way a lot of artists that we love in hip-hop have got caught up in having possession of firearms in New York. [New York authorities] don't play, especially if you are coming through New York and are an out-of-towner coming from somewhere you can actually carry a firearm, the odds are high that they're gonna catch you with one to be able to make a an example out of you. You're gonna get caught up." Outside the Beacon Theater that night, tension was very high between police and a group of hip-hop luminaries, such as the Diplomats, Ja Rule, Irv Gotti and DJ Khaled, who came to support Weezy at his first headlining New York concert. Police, mounted on horses practically pushed a crowd — which included Juelz Santana and Jim Jones — down the block. Wayne himself had a tough time getting in the building and going through security. Onstage during his performance, Weezy said police harassed him. "I just went through the worst f----in' feelin ever with y'all police," he fumed onstage. "This may be one of the only times you see me because of how they treated me." Darden said he had no control over the police's behavior. "Security is security," he said. "At any event, we try to do the artists a special service because they're coming to do a service for the audience. You still gotta go through security. We don't own the buildings; we definitely don't own the police. This is hip-hop, so most buildings and most police, we're not on their good side. They're not really going show us any special concessions. They're gonna try and make it difficult for us. Just like they're gonna try and make it difficult for the cat on the train. If you're in hip-hop, you kinda accept a little bit of that burden. It's unfortunate." The hip-hop stars say that the treatment by the police got no better for them as they left the Beacon. "Leaving the Beacon was weird for me," Khaled told MTV News last year. "I felt like [police] was just watching everybody. It didn't feel right. Everybody was backstage, undercovers, I heard Ja Rule got pulled over. And nobody was doing anything wrong. That's why I didn't really understand it. Me, I didn't leave from backstage. I left with the crowd. When I was leaving, I was hearing all this stuff about people getting pulled over. I feel hip-hop is a target for no reason right now." "I remember that day, a couple of people got arrested, I got pulled over," Santana told MTV News last year. "They followed me uptown. You can't just go and try get n---as for no reason. Say a n---a did have a gun. We're on defense. By the time somebody tries to [do something to me] and [the police] get to me, I'm just explaining the story. That's the position we in. C'mon. The people that's trying to get us are looking out to see when the police aren't there," he said. Wayne and Ja Rule were both arrested on weapons charges. In October, Wayne pleaded guilty to attempted gun possession and is expected to begin serving a year-long sentence today, of which he's expected to serve eight to 10 months. Darden is one among many who feels that Wayne's musical career won't flag while he's in jail. "He's got a great catalog at this point," he said. "The airplay is going to continue. I think people are rooting for him. He didn't hurt anybody. The Young Money album, the [upcoming] Drake album, his album, even the Birdman album: The music that features him and the music that is his own is gonna stretch out from March to March [of next year]. It usually takes a record 8-12 weeks to take off. Then it's probably another 8-12 weeks tacked on the back of that where it has a life. So you're talking four to six months that a record could be around getting airplay. If you have three or four records lined up that are bona-fide, we might not even notice he's gone. I think that's what their plan is: shoot a bunch of videos, have a bunch of music, you might not even recognize he's gone." Related Videos Lil Wayne Goes To Jail Lil Wayne's 'Road To Rikers' Related Photos Lil Wayne And Friends Live In New York Related Artists Lil Wayne
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