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Genesis, Jimmy Cliff, the Hollies also inducted in show featuring Phish, Green Day and more.By James Montgomery The Stooges' Iggy Pop performs with Greenday's Billie Joe Armstrong at the 25th Annual Rock and Roll Hall of Fame Induction Ceremony Photo: Michael Loccisano/ Getty Images NEW YORK — It opened with a Phish show, nearly exploded into a (very well-heeled) proto-punk riot, got giddy on a fix of sunshiny Swedish pop, and finally wrapped up with a '50's-tinged tribute. It was the 25th Annual Rock and Roll Hall of Fame Induction Ceremony, back in NYC after a one-year sojourn in Cleveland (where the titular hall actually exists). And while it may have been lacking the star-power of previous year's ceremonies — Eminem and Metallica in 2009, Madonna and Justin Timberlake in '08 — it certainly showcased the breadth and depth of this thing we call rock music. 2010 Rock & Roll Hall of Fame Ceremony ABBA, Genesis, the Stooges, Jimmy Cliff and the Hollies were the performers that headlined the 2010 class, inducted into the hall by the likes of the Bee Gees' Barry and Robin Gibb, and Green Day's Billie Joe Armstrong. Variety was the theme of the night, expressed in the wide range of performances and the revered tones of the inductors, which ranged from genuinely geeky (Phish's Trey Anastasio, who inducted Genesis and spoke at length about the group's "seven-note guitar lines" and the technical prowess of their 1973 album Selling England by the Pound) to gleefully amped (Armstrong swore a whole lot as he inducted the Stooges). The show began with Phish running through Genesis's proggy "Watchers of the Sky," then Phil Collins, Tony Banks, Steve Hackett and Mike Rutherford took the stage to accept their award, thanking Anastasio for his "really convincing argument" about the oft-derided band's legacy. Original singer Peter Gabriel wasn't there because he was "rehearsing for an orchestral tour," according to Collins. Phish then played a second Genesis tune, "No Reply at All." Up next were the Stooges, long denied a slot in the hall despite their obvious influences on everything from punk to metal, and they more than made up for lost time. First, Armstrong — who was "very excited and nervous as hell" to be inducting them — strode to the podium and launched into a heartfelt speech that praised the band's commitment to "blood and guts, sex and drugs ... peanut butter and poetry." The Green Day frontman rattled off basically every band the Stooges had ever influenced, a list that included Nirvana, Siouxsie and the Banshees, the Queens of the Stone Age "and my f---ing band too." "It is my honor to induct into the Rock and Roll Hall of Fame — and it's about f---ing time — the Stooges!" Armstrong exclaimed. Stooge main man Iggy Pop strutted onto the stage — still wearing a shirt — gave the tuxedoed crowd a double middle-finger salute, and then began a genuinely touching speech that mentioned late members Dave Alexander and Ron Asheton, shouted out "all the poor people who actually started rock and roll" and concluded with a thanks to all his fans for giving the band "a second act," getting choked up as he said it. Pop turned the mic over to fellow Stooges James Williamson and Ron's brother Scott and began unbuttoning his white dress shirt as they spoke. He then stormed off to the stage, and, aided by bassist Mike Watt and tenor sax skronker Steve Mackay, ripped through a pair of the Stooges' burners — "Search and Destroy" and "I Wanna Be Your Dog" — the latter of which saw Iggy prowl the front row of the audience, belt out the chorus under the watchful gaze of Dr. Oz (for real), then invite anyone and everyone onstage. Green Day and members of Pearl Jam gleefully obliged, as did a few fairly radical men and women in their formalwear. Back in the press room, Iggy explained his impromptu invasion thusly: "Well, you can't really stage-dive in a place like this." Legendary record exec David Geffen and British rock act the Hollies were inducted next, followed by Reggae legend Jimmy Cliff (who was lovingly introduced by Wyclef Jean) and then, in perhaps the night's most anticipated moment, globally revered Swedish pop quartet ABBA, who hadn't performed together in public in nearly 25 years. Unfortunately, only half of the group's members — Anni-Frid Lyngstad and Benny Andersson (who were married once upon a time) — showed up to accept their trophies from the Gibbs. They seemed touched by the honor, and Andersson took to the piano to perform one of the group's most masterful hits, "The Winner Takes It All," with country star Faith Hill on vocals. There was a tribute to the night's honored songwriters — a list that included luminaries like Otis Blackwell and Jesse Stone (who wrote songs made famous by the likes of Elvis Presley and Jerry Lee Lewis) — featuring Rob Thomas, Ronnie Spector, Eric Burdon, Chris Isaak, Peter Wolf and Fefe Dobson, who rolled through the hits and then closed the show with a version of Stone's "Shake, Rattle and Roll." By this point, the telecast was nearly four hours long, and the audience — though weary — cheered mightily. It was worth the wait. Variety takes time, after all. Related Photos 2010 Rock And Roll Hall Of Fame Ceremony Related Artists Iggy Pop & The Stooges ABBA Green Day

News comes a week after rapper began his one-year jail sentence.By Jayson Rodriguez Lil Wayne's Rebirth Photo: Universal Motown Lil Wayne's rock efforts have paid off: His Rebirth album has been certified gold, moving more than 500,000 copies, according to the Recording Industry of America. The announcement, courtesy of his label, comes one week and one day after the rapper turned himself to begin a one-year jail sentence for a 2007 gun charge in New York. On Rebirth, the New Orleans rapper eschewed turntables in favor of guitars as he produced a rock-concentrated project, which he called a "freedom album." "Yes, the album is still rock," he told Billboard in October. "I play guitar on 80 percent of the songs, and there's a lot of rock influences and rock beats. I also have Travis Barker on the album. But I don't want people to think I'm trying to do something I can't do. Don't think you're going to put on the album and hear me screaming and singing. ... Don't worry about that. [Laughs.] When people hear me say rock, they may get a little scared, like, 'Oh, God. What is he going to do?' When I said I was doing a rock album, it was about doing a freedom thing. This album isn't hip-hop. When I do my Carter albums, I know I've got to rap, I know I've got to spit. I know the words I've got to say and the subjects I've got to talk about. I also know the things I shouldn't say, the things I shouldn't talk about. There's none of those limits on this album. I say what I want, how I want. That's what this album is: a freedom album." The lyricist still raps plenty on the album, including on the Eminem-assisted "Drop the World." Rebirth was delayed a number of times and at one point was mistakenly shipped from Amazon.com to customers before its intended release date. What did you think about Rebirth? Would you want to hear another rock project from Lil Wayne? Let us know in the comments below! Related Videos Lil Wayne Goes To Jail: Celebs React Lil Wayne's 'Road To Rikers' Related Photos Lil Wayne Heads To Rikers Island Related Artists Lil Wayne