
Michael Slezak is Senior Editor at TVLine. You know those people who brag about not having a television? Girls’ Allison Williams has a handy response for ’em. “I always say very dryly and very honestly, ‘You should invest in one. I’m not even saying you would necessarily like our show. But TV is so good right now.’” Williams’ awareness of the number of great performances under consideration this Emmy season makes it all the more “exciting and unbelievable” when her name gets floated as a possible contender for supporting actress. And while she’s quick to credit Girls creator and star Lena Dunham—as well as the show’s writers, directors and hair and makeup staff—for helping her bring to life the rudderless Marnie Michaels, Williams admits that “it’s a really fun challenge to play someone who seems to have it all together and yet has this anxiety bubbling beneath the surface. It’s an anxiety she isn’t necessarily aware of herself.” Related: EMMYS: Comedy Series Overview AwardsLine: How did you view Marnie’s season journey overall? Williams: It was really hard. I really feel for her. We are certainly different, but we have enough in common that I look at her and I root for her and I want the best for her. I wish for her that she had something that she was passionate about so that in ... Read More »

LONDON (Reuters) - Turning around drugmaker AstraZeneca will be a long haul, with a strategy of revamping research and boosting acquisitions set to take up to four years to pay off, its chief executive said on Tuesday.

With 2009's “Public Enemies” a distant misstep now, and only the pilot for the cancelled HBO series “Luck” completed since, director Michael Mann is nonetheless slowly approaching another resurgence, this time with two projects: the untitled cyber thriller with Viola Davis and Chris Hemsworth (now shooting), and the recently rewritten historical drama, “Agincourt.” But while we wait for the next effort from the helmer, why not take a look back at the curious journey of arguably his most famous and accomplished film: the 1995 cops-and-robbers drama, “Heat.” The 17-minute BBC documentary, “Mann Made: From LA Takedown To Heat,” consists of an extended interview with Mann, where he recounts the stripped-down version of his 180-page screenplay for “Heat,” in a 1989 made-for-TV quickie called “LA Takedown,” as well as his unhurried workflow. “The amount of time I take between projects is not a method; it's an irritant,” he says. “I...

It’s that time of year again, where weekend after weekend brings more cities being destroyed in louder and louder fashion on the big screen. But fret not, Criterion has just the sustenance you need to survive. The famed distribution label has released their schedule for September and it includes some new additions and a few reissues. On the new front is a set of three films by Italian neorealist Roberto Rossellini that all star Ingrid Bergman. Included in the set are “Stromboli,” “Europe ‘51” and “Journey To Italy.” All three films of course will feature extensive bonus features including a short film Rossellini completed with Bergman between “Stromboli” and “Europe ‘51” called “The Chicken.” Also new to the Criterion Collection is the 1978 French comedy, “La Cage Aux Folles.” It’s perhaps most famous at this point for spawning both a Broadway musical and the Mike Nichols-helmed 1996 remake “The Birdcage.” Don’t let that scare you away though, the...
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