
There’s diminishing returns, and then there’s “Taken 2,” the next, and probably last installment of the “Taken” franchise. Of course, it’s a piece of a whole, only the latest in the body of work from producer Luc Besson (again sharing screenwriting duties with Robert Mark Kamen). But Besson’s intriguing late-career activity as a producer of savvy action trash reaches it’s nadir in this monotone punch-fest that is tirelessly rote in it’s stubborn desire to refuse any sense of ingenuity. The first “Taken” pirouetted on the idea of a Dad Fantasy, that being no one you know can be trusted, foreigners have the worst intentions, and Daddy Knows Best. Milking the same reservoir that entertained audiences in the “Meet The Parents” series, where the overprotective patriarch played by Robert DeNiro would not stop henpecking his son-in-law, “Taken” was easily more amusing than any moment in the...
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